FOH Engineer
Record-quality mixes. Absolute reliability.
Three decades at the centre of recorded and live music. Multi-platinum studio career. touring nationally in large venues, high stakes shows, and complex environments.
17x Platinum
Studio production and mixing credits
Juno nominated
Canadian equivalent of the Grammy Awards
Billboard #1
Surrender by Laura Pausini, US chart
Pooch mentorship
Trained directly with Ken "Pooch" Van Druten
2010 Olympics Opening Ceremony
Pre-recorded content, Vancouver
100+ shows
Via Kian Concert Sound, large concert halls, arenas and stadiums
Studio Highlights - Production and Mixing
Laura Pausini
US Billboard #1, Surrender
Tohoshinki
Oricon Japan #1
Namie Amuro
International chart, Japan
Koda Kumi
International chart, Japan
Chin Injeti
Mixer, three-time Grammy winner
Bukola
Reading Rainbow theme, Sony
Front Of House Highlights
Robb Nash
National tour, 2019 to present
Chad Kroeger
One off, 2025
Bukola
Festivals and one offs, 2019 to present
Ryan Peters
Festivals and one offs, 2019 to present
Yukon Blonde
Festival, 2024
Deli 2 Dublin
Festival, 2024
Why the mixes sound like records
Two decades of multi-platinum studio work built an ear that most live engineers never develop. Every mix is approached the way a record is approached, with intent, with patience for detail, and with a clear sense of what the artist is trying to say. That instinct doesn't turn off at the venue door.
The Work
High-stakes shows in real-world conditions
Much of the touring work involves shows where the stakes extend beyond entertainment, youth engagement and mental health programming in schools, arenas, and civic spaces across Canada. These environments demand adaptability, clear communication with local crews, and a show that works regardless of what the room throws at you.
Reliability is the job
Venues are advanced thoroughly. Communication is clear and consistent. When plans shift, and they always do, the response is calm and practical. The show gets delivered. That's the whole thing.
I answer the phone
When something matters, I’m reachable
When something changes, I’m engaged
Live production depends on real-time communication and trust. I stay responsive, communicate clearly, and take responsibility for the work, especially when plans shift.
Available for touring, production support, and collaboration.
If you’re building a show that needs to translate clearly and powerfully in front of an audience, I’m happy to talk.