MAKING RECORDS SINCE 1999.
MAKING THEM TRANSLATE SINCE 2019.
Front of house mixing built on a multi-platinum studio career.
Vancouver. Working anywhere.
Billboard #1
Surrender by Laura Pausini, US chart
Juno nominated
Canadian equivalent of the Grammy Awards
17x Platinum
Studio production and mixing credits
Oricon #1
Japan National Chart
Live Sound International
Regular contributor, industry trade publication
Pooch and Rabold
Trained directly with Ken "Pooch" Van Druten and Chris Rabold
2010 Olympics Opening Ceremony
Pre-recorded content, Vancouver
WHY THIS MATTERS TO YOUR SHOW
Your audience already knows your record. They have heard it hundreds of times on headphones, and they arrive wanting that, with the weight and the air a PA can give it.
Delivering that is a studio problem solved at live speed. Which compressor and why. Where the vocal sits when the guitars come in. What the kick costs the bass. I have been making those decisions since 1999 on records that went platinum. They are the same decisions in front of a crowd, made in three minutes instead of three days.
Then there is the PA, which is a separate job. I get the mix right first. Then I tune the system to deliver it, room to room.
LIVE RECORDINGS
I multitrack every show I mix. Every night of your tour becomes a possible release, whether you planned one or not.
From those tracks I deliver a finished record. Curated, produced, and mixed to the standard of an album.
All of it in house. No separate hire, no files sent to someone who was not in the room, no waiting on a stranger’s schedule. The person who mixed the show makes the record of it.
If you want the live album, it helps to have someone at the desk who has made albums.
Front Of House Highlights
Ben Harper
Private Event, 2026
Robb Nash
National tour, 2019 to present
Faber Drive
Western Canada dates, 2026 to present
Chad Kroeger
One off, 2025
Bukola
Festivals and one offs, 2019 to present
Ryan Peters
Festivals and one offs, 2019 to present
Yukon Blonde
Festival, 2024
Delhi 2 Dublin
Festival, 2024
Studio Highlights - Production and Mixing
Laura Pausini
US Billboard #1, Surrender
Tohoshinki
Oricon Japan #1
Namie Amuro
International chart, Japan
Koda Kumi
International chart, Japan
Chin Injeti
Mixer, three-time Grammy winner
Bukola
Reading Rainbow theme, Sony
Articles
I write about mixing for Live Sound International and elsewhere. The pieces are mostly about what the work costs and what I got wrong on the way.
What the Studio Didn't Teach Me
A multi-platinum mixer's transition into large venue live sound
Building a Repeatable Touring Workflow
Preparation, console fluency, and a show file you can trust
Mixing a show where every syllable has to reach the back row
The Best Thing in Your Mix Is Ruining Your Mix
The kick drum problem, and who wins the war under 100 Hz
Why we lie about how much we compress
Narrating every move so you can find your way back
PRESS AND AFFILIATIONS
LIVE SOUND INTERNATIONAL
Regular contributor. Recent pieces on system tuning, touring workflow, and the studio to live transition.
KIAN CONCERT SOUND
Large format front of house, regional touring and festivals
How I Work
I advance venues properly. I get on the phone before the day and sort out conflicts ahead of load in, so nobody is solving problems when doors are about to open. I show up with what was expected.
When plans change, and they do, I stay calm and practical.
I mix front of house. I do not take monitor, in-ear, or patch roles. The job is making the show sound professional, running the audio crew, and getting the PA to cooperate.
I answer the phone
When something matters, I’m reachable
When something changes, I’m engaged
Contact
Available for touring, festivals, and one offs.
If you are building a show that has to translate in front of an audience, let’s talk.
Full CV on request